blackyjunkgallery:

free time sketches.i put a second little HD sketchbook on my Gumroad https://gumroad.com/l/AzIme !!
blackyjunkgallery:

free time sketches.i put a second little HD sketchbook on my Gumroad https://gumroad.com/l/AzIme !!
blackyjunkgallery:

free time sketches.i put a second little HD sketchbook on my Gumroad https://gumroad.com/l/AzIme !!
blackyjunkgallery:

free time sketches.i put a second little HD sketchbook on my Gumroad https://gumroad.com/l/AzIme !!
blackyjunkgallery:

free time sketches.i put a second little HD sketchbook on my Gumroad https://gumroad.com/l/AzIme !!
deadwillwalk:

Omg this is perfect.
deadwillwalk:

Omg this is perfect.

undr:

William M. Rittase

A view of Chicago’s historic La Salle Street train station, November 1936

(via westernshore)

archatlas:

Classic Chinese Ancient Buildings Cutaways Li Ganlang [via]
"Li Ganlang 2005 onwards started drawing, anatomical drawings to show the Chinese construction Shi Jingdian construction law, showing Chinese cultural characteristics of various buildings, covered wood constitutive temples, pavilions, towers, gates, caves, bridges, houses and so on five Shiyu Zuo building. By Yuan-Liou Publishing Company."
archatlas:

Classic Chinese Ancient Buildings Cutaways Li Ganlang [via]
"Li Ganlang 2005 onwards started drawing, anatomical drawings to show the Chinese construction Shi Jingdian construction law, showing Chinese cultural characteristics of various buildings, covered wood constitutive temples, pavilions, towers, gates, caves, bridges, houses and so on five Shiyu Zuo building. By Yuan-Liou Publishing Company."
archatlas:

Classic Chinese Ancient Buildings Cutaways Li Ganlang [via]
"Li Ganlang 2005 onwards started drawing, anatomical drawings to show the Chinese construction Shi Jingdian construction law, showing Chinese cultural characteristics of various buildings, covered wood constitutive temples, pavilions, towers, gates, caves, bridges, houses and so on five Shiyu Zuo building. By Yuan-Liou Publishing Company."
archatlas:

Classic Chinese Ancient Buildings Cutaways Li Ganlang [via]
"Li Ganlang 2005 onwards started drawing, anatomical drawings to show the Chinese construction Shi Jingdian construction law, showing Chinese cultural characteristics of various buildings, covered wood constitutive temples, pavilions, towers, gates, caves, bridges, houses and so on five Shiyu Zuo building. By Yuan-Liou Publishing Company."
archatlas:

Classic Chinese Ancient Buildings Cutaways Li Ganlang [via]
"Li Ganlang 2005 onwards started drawing, anatomical drawings to show the Chinese construction Shi Jingdian construction law, showing Chinese cultural characteristics of various buildings, covered wood constitutive temples, pavilions, towers, gates, caves, bridges, houses and so on five Shiyu Zuo building. By Yuan-Liou Publishing Company."
archatlas:

Classic Chinese Ancient Buildings Cutaways Li Ganlang [via]
"Li Ganlang 2005 onwards started drawing, anatomical drawings to show the Chinese construction Shi Jingdian construction law, showing Chinese cultural characteristics of various buildings, covered wood constitutive temples, pavilions, towers, gates, caves, bridges, houses and so on five Shiyu Zuo building. By Yuan-Liou Publishing Company."
archatlas:

Classic Chinese Ancient Buildings Cutaways Li Ganlang [via]
"Li Ganlang 2005 onwards started drawing, anatomical drawings to show the Chinese construction Shi Jingdian construction law, showing Chinese cultural characteristics of various buildings, covered wood constitutive temples, pavilions, towers, gates, caves, bridges, houses and so on five Shiyu Zuo building. By Yuan-Liou Publishing Company."
archatlas:

Classic Chinese Ancient Buildings Cutaways Li Ganlang [via]
"Li Ganlang 2005 onwards started drawing, anatomical drawings to show the Chinese construction Shi Jingdian construction law, showing Chinese cultural characteristics of various buildings, covered wood constitutive temples, pavilions, towers, gates, caves, bridges, houses and so on five Shiyu Zuo building. By Yuan-Liou Publishing Company."
archatlas:

Classic Chinese Ancient Buildings Cutaways Li Ganlang [via]
"Li Ganlang 2005 onwards started drawing, anatomical drawings to show the Chinese construction Shi Jingdian construction law, showing Chinese cultural characteristics of various buildings, covered wood constitutive temples, pavilions, towers, gates, caves, bridges, houses and so on five Shiyu Zuo building. By Yuan-Liou Publishing Company."
archatlas:

Classic Chinese Ancient Buildings Cutaways Li Ganlang [via]
"Li Ganlang 2005 onwards started drawing, anatomical drawings to show the Chinese construction Shi Jingdian construction law, showing Chinese cultural characteristics of various buildings, covered wood constitutive temples, pavilions, towers, gates, caves, bridges, houses and so on five Shiyu Zuo building. By Yuan-Liou Publishing Company."

archatlas:

Classic Chinese Ancient Buildings Cutaways Li Ganlang [via]

"Li Ganlang 2005 onwards started drawing, anatomical drawings to show the Chinese construction Shi Jingdian construction law, showing Chinese cultural characteristics of various buildings, covered wood constitutive temples, pavilions, towers, gates, caves, bridges, houses and so on five Shiyu Zuo building. By Yuan-Liou Publishing Company."

(via westernshore)

theartofanimation:

Mingjue Helen Chen
theartofanimation:

Mingjue Helen Chen
theartofanimation:

Mingjue Helen Chen
theartofanimation:

Mingjue Helen Chen
theartofanimation:

Mingjue Helen Chen

spassundspiele:

Renegade – knight character concept by Valentin Demchenko for Stormfall: Age of War

(via theshyghost)

su-su-su-succulents:

Echeveria ‘Dondo’Echeveria derenbergii x Echeveria runyonii
su-su-su-succulents:

Echeveria ‘Dondo’Echeveria derenbergii x Echeveria runyonii

su-su-su-succulents:

Echeveria ‘Dondo’
Echeveria derenbergii x Echeveria runyonii

(via arusalty)

kohidrop:

What do you mean “Hey Future Fish”? You can’t just Future Fish people like that KyoAni!!! 
EDIT: I swear this needs to be the next trololo or rick roll song!
kohidrop:

What do you mean “Hey Future Fish”? You can’t just Future Fish people like that KyoAni!!! 
EDIT: I swear this needs to be the next trololo or rick roll song!
kohidrop:

What do you mean “Hey Future Fish”? You can’t just Future Fish people like that KyoAni!!! 
EDIT: I swear this needs to be the next trololo or rick roll song!

kohidrop:

What do you mean “Hey Future Fish”? You can’t just Future Fish people like that KyoAni!!! 

EDIT: I swear this needs to be the next trololo or rick roll song!

(via manyuarts)

80sanime:

spaceauddity:

I’m just going through and taking screencaps of this film because I felt the visual language of it was outstanding. Emotionally provocative use of color and an ethereal sense of loneliness in these landscapes. The film itself has a lot of narrative flaws, some editing that makes us feel like we sort of missed things, so much world building and exposition that is both needed more and simultaneously gets in the way, a couple of times where the film’s otherwise beautifully done sincerity goes into overdrive and it feels melodramatic, and a startling mix of gorgeously done animated sequences next to limited scenes, but there are so many things about it that are also wonderful that I think it’s quickly becoming one of my favorite animated films, flaws and all, it all goes back to the sharp sense of design.

A Tree of Palme is just such an incredible movie. I love it, warts and all.
80sanime:

spaceauddity:

I’m just going through and taking screencaps of this film because I felt the visual language of it was outstanding. Emotionally provocative use of color and an ethereal sense of loneliness in these landscapes. The film itself has a lot of narrative flaws, some editing that makes us feel like we sort of missed things, so much world building and exposition that is both needed more and simultaneously gets in the way, a couple of times where the film’s otherwise beautifully done sincerity goes into overdrive and it feels melodramatic, and a startling mix of gorgeously done animated sequences next to limited scenes, but there are so many things about it that are also wonderful that I think it’s quickly becoming one of my favorite animated films, flaws and all, it all goes back to the sharp sense of design.

A Tree of Palme is just such an incredible movie. I love it, warts and all.
80sanime:

spaceauddity:

I’m just going through and taking screencaps of this film because I felt the visual language of it was outstanding. Emotionally provocative use of color and an ethereal sense of loneliness in these landscapes. The film itself has a lot of narrative flaws, some editing that makes us feel like we sort of missed things, so much world building and exposition that is both needed more and simultaneously gets in the way, a couple of times where the film’s otherwise beautifully done sincerity goes into overdrive and it feels melodramatic, and a startling mix of gorgeously done animated sequences next to limited scenes, but there are so many things about it that are also wonderful that I think it’s quickly becoming one of my favorite animated films, flaws and all, it all goes back to the sharp sense of design.

A Tree of Palme is just such an incredible movie. I love it, warts and all.
80sanime:

spaceauddity:

I’m just going through and taking screencaps of this film because I felt the visual language of it was outstanding. Emotionally provocative use of color and an ethereal sense of loneliness in these landscapes. The film itself has a lot of narrative flaws, some editing that makes us feel like we sort of missed things, so much world building and exposition that is both needed more and simultaneously gets in the way, a couple of times where the film’s otherwise beautifully done sincerity goes into overdrive and it feels melodramatic, and a startling mix of gorgeously done animated sequences next to limited scenes, but there are so many things about it that are also wonderful that I think it’s quickly becoming one of my favorite animated films, flaws and all, it all goes back to the sharp sense of design.

A Tree of Palme is just such an incredible movie. I love it, warts and all.
80sanime:

spaceauddity:

I’m just going through and taking screencaps of this film because I felt the visual language of it was outstanding. Emotionally provocative use of color and an ethereal sense of loneliness in these landscapes. The film itself has a lot of narrative flaws, some editing that makes us feel like we sort of missed things, so much world building and exposition that is both needed more and simultaneously gets in the way, a couple of times where the film’s otherwise beautifully done sincerity goes into overdrive and it feels melodramatic, and a startling mix of gorgeously done animated sequences next to limited scenes, but there are so many things about it that are also wonderful that I think it’s quickly becoming one of my favorite animated films, flaws and all, it all goes back to the sharp sense of design.

A Tree of Palme is just such an incredible movie. I love it, warts and all.
80sanime:

spaceauddity:

I’m just going through and taking screencaps of this film because I felt the visual language of it was outstanding. Emotionally provocative use of color and an ethereal sense of loneliness in these landscapes. The film itself has a lot of narrative flaws, some editing that makes us feel like we sort of missed things, so much world building and exposition that is both needed more and simultaneously gets in the way, a couple of times where the film’s otherwise beautifully done sincerity goes into overdrive and it feels melodramatic, and a startling mix of gorgeously done animated sequences next to limited scenes, but there are so many things about it that are also wonderful that I think it’s quickly becoming one of my favorite animated films, flaws and all, it all goes back to the sharp sense of design.

A Tree of Palme is just such an incredible movie. I love it, warts and all.
80sanime:

spaceauddity:

I’m just going through and taking screencaps of this film because I felt the visual language of it was outstanding. Emotionally provocative use of color and an ethereal sense of loneliness in these landscapes. The film itself has a lot of narrative flaws, some editing that makes us feel like we sort of missed things, so much world building and exposition that is both needed more and simultaneously gets in the way, a couple of times where the film’s otherwise beautifully done sincerity goes into overdrive and it feels melodramatic, and a startling mix of gorgeously done animated sequences next to limited scenes, but there are so many things about it that are also wonderful that I think it’s quickly becoming one of my favorite animated films, flaws and all, it all goes back to the sharp sense of design.

A Tree of Palme is just such an incredible movie. I love it, warts and all.
80sanime:

spaceauddity:

I’m just going through and taking screencaps of this film because I felt the visual language of it was outstanding. Emotionally provocative use of color and an ethereal sense of loneliness in these landscapes. The film itself has a lot of narrative flaws, some editing that makes us feel like we sort of missed things, so much world building and exposition that is both needed more and simultaneously gets in the way, a couple of times where the film’s otherwise beautifully done sincerity goes into overdrive and it feels melodramatic, and a startling mix of gorgeously done animated sequences next to limited scenes, but there are so many things about it that are also wonderful that I think it’s quickly becoming one of my favorite animated films, flaws and all, it all goes back to the sharp sense of design.

A Tree of Palme is just such an incredible movie. I love it, warts and all.
80sanime:

spaceauddity:

I’m just going through and taking screencaps of this film because I felt the visual language of it was outstanding. Emotionally provocative use of color and an ethereal sense of loneliness in these landscapes. The film itself has a lot of narrative flaws, some editing that makes us feel like we sort of missed things, so much world building and exposition that is both needed more and simultaneously gets in the way, a couple of times where the film’s otherwise beautifully done sincerity goes into overdrive and it feels melodramatic, and a startling mix of gorgeously done animated sequences next to limited scenes, but there are so many things about it that are also wonderful that I think it’s quickly becoming one of my favorite animated films, flaws and all, it all goes back to the sharp sense of design.

A Tree of Palme is just such an incredible movie. I love it, warts and all.

80sanime:

spaceauddity:

I’m just going through and taking screencaps of this film because I felt the visual language of it was outstanding. Emotionally provocative use of color and an ethereal sense of loneliness in these landscapes. 


The film itself has a lot of narrative flaws, some editing that makes us feel like we sort of missed things, so much world building and exposition that is both needed more and simultaneously gets in the way, a couple of times where the film’s otherwise beautifully done sincerity goes into overdrive and it feels melodramatic, and a startling mix of gorgeously done animated sequences next to limited scenes, but there are so many things about it that are also wonderful that I think it’s quickly becoming one of my favorite animated films, flaws and all, it all goes back to the sharp sense of design.

A Tree of Palme is just such an incredible movie. I love it, warts and all.

(via asswara)

ca-tsuka:

Somes pages of “Deadwood Designs” dojin self-published in 2010 by japanese director/animator Yoh Yoshinari (Little Witch Academia).
ca-tsuka:

Somes pages of “Deadwood Designs” dojin self-published in 2010 by japanese director/animator Yoh Yoshinari (Little Witch Academia).
ca-tsuka:

Somes pages of “Deadwood Designs” dojin self-published in 2010 by japanese director/animator Yoh Yoshinari (Little Witch Academia).
ca-tsuka:

Somes pages of “Deadwood Designs” dojin self-published in 2010 by japanese director/animator Yoh Yoshinari (Little Witch Academia).
ca-tsuka:

Somes pages of “Deadwood Designs” dojin self-published in 2010 by japanese director/animator Yoh Yoshinari (Little Witch Academia).
ca-tsuka:

Somes pages of “Deadwood Designs” dojin self-published in 2010 by japanese director/animator Yoh Yoshinari (Little Witch Academia).
ca-tsuka:

Somes pages of “Deadwood Designs” dojin self-published in 2010 by japanese director/animator Yoh Yoshinari (Little Witch Academia).
ca-tsuka:

Somes pages of “Deadwood Designs” dojin self-published in 2010 by japanese director/animator Yoh Yoshinari (Little Witch Academia).
ca-tsuka:

Somes pages of “Deadwood Designs” dojin self-published in 2010 by japanese director/animator Yoh Yoshinari (Little Witch Academia).
ca-tsuka:

Somes pages of “Deadwood Designs” dojin self-published in 2010 by japanese director/animator Yoh Yoshinari (Little Witch Academia).

ca-tsuka:

Somes pages of “Deadwood Designs” dojin self-published in 2010 by japanese director/animator Yoh Yoshinari (Little Witch Academia).

(via emi0000)